Review of 2 songs by Ashen Crown

Originally posted on Heaps of Metal 10.10.19



Blood Beneath Us
Starts as a typical melodic death metal song, with dark growling vocals, mid tempo riffs and some melodies, that makes me think of Amon Amarth, possibly some Black Label Society as well. Brings in a well sung, somewhat operatic, but not over the top female vocal that lifts the song.

The songs are well produced. I in particular like the drum sound, which is really full. The guitar and vocals are also well placed in the mix. While the bass guitar is mixed typically for the subgenre, I would have preferred a more articulate bass guitar, with more treble.

Fall of thine Eyes
The second song is faster, and have some brighter growling vocals, more in the direction of black metal, in addition to the darker vocals. Now, I’m guessing all male vocals are handled by the same singer, and if so, it’s an impressive variation in growls.
I like how this song changes between several riff tempos and the cymbal work by the drummer.

Link to facebook: https://www.facebook.com/ashencrown.uk/

Comments

Post a Comment

Popular posts from this blog

Rhabstallion – Back in the Saddle

Image
I want to thank Epic Metal Blog and ZYX Music for sending me this album to review. Band: Rhabstallion Album: Back in the Saddle Release date: 12th of March 2021 Record label: ZYX music Germany / Golden Core label Genre: Heavy metal / Heavy rock From: West Yorkshire, UK While Rhabstallion had a song released as early as 1980 (their song Chain Reaction was featured on the sampler album New Electric Warriors), they never got to release a full album before they broke up in 84. With them reuniting in 2018, they finally recorded the album Back In The Saddle, which was released 12 th of March 2021. This album features original members,  Dave Thompson and Stuart Toddington on guitars, Jack Himsworth on drums, Graham Hooper on bass from the 1979 line up. They are joined by Andy Wood on guitar and lead vocals who had previously been in the Rhabstallion line up between September 1981 to 1984.   With many of these songs being from the 80s, I find it natural to com
Read more

Moonscape - Entity, Chapter II: Echoes from a Cognitive Dystopia

Image
  Band: Moonscape Album:   Entity, Chapter II: Echoes from a Cognitive Dystopia Release date: November 23, 2020 Record label: self released Genre: Progressive metal, epic metal, melodic death metal From:   Gjøvik, Norway   After hearing “Entity” by Moonscape, I knew I had to get to hear the new album “Entity, Chapter II” and I’m very happy that Håvard Lunde submitted it to me for review.   “Entity, Chapter II: Echoes from a Cognitive Dystopia” continues the story started in “Entity”. The album consists of 4 tracks: 3 main compositions, from 8 to almost 17 minutes each, as well as an orchestral prelude that sets a quite epic mood for the album.   Each of the 4 main compositions have quite distinct parts, with their own names and moods that fit into the overall theme of each composition, like in a classical orchestra piece. At the same time, each of the 4 compositions fits seamlessly together, so that one doesn’t notice that one
Read more

Moonscape - If Heaven Knows My Name

Image
Band: Moonscape Single:  If Heaven Knows My Name / 2. A Rendezvous in Time? (Alt. Version) Release date: November 25th 2022 Record label: Self released Genre: Progressive Metal, epic metal, melodic death metal From:   Gjøvik, Norway   I was happy to receive 2 tracks from Håvard Lunde of Moonscape for a review.  The first track, “If Heaven Knows My Name” is a solid prog metal track with elements most should find appealing.   I’ve always compared Moonscape with Ayreon, and this track is probably the closest to Ayreon I’ve heard by this band so far, even if there’s only one singer. In addition there’s a very cool synth Aaron Minich (Nekrogoblikon) and heavy riffing that makes me think of Symphony X. If that wasn’t enough, there is a melodic lead guitar that reminds me of Opeth in the transition period from melodic death metal to prog. I like the drums, that I still find hard to believe to be programmed, probably because Håvard Lunde started out as a drummer and t
Read more